Short film is where a lot of my own craft was built, and it remains one of my favourite formats to work in. A short film has no room for padding. Every scene, every shot, every line of dialogue has to earn its place, and that constraint tends to produce some of the sharpest, most memorable storytelling around.

I work on short films across genres, from tightly written drama to more experimental, visually driven pieces. What stays consistent is the attention to structure and pacing: a short film succeeds or fails on rhythm, and getting that right takes as much craft as a feature, just compressed into a smaller frame.

Short films are also a natural place to take creative risks, try a new visual approach, or tell a story that would not sustain a longer running time. If you have a short film in development and want a collaborator who understands both the creative and the practical side of getting it made, get in touch.